Author: Jean Anouilh, Ted Freeman
Publisher: A&C Black
Jean Anouilh's tragedy inspired by Greek Mythology and the play of the same name by Sophocles was first performed in Paris during the Nazi occupation. The comparison is inevitable between the French occupation and the play, with the character of Antigone representing the French resistance and her uncle Creon the collarborators to the German occupiers.
Author: Gareth Jandrell, Sophocles,, Aeschylus,
Publisher: A&C Black
I mean, what is Thebes? A theocracy? No. A meritocracy? Certainly not. A monarchy? Kind of. A patriarchy? Less and less so. Thebes is many things, and to revolutionise that? Well, how? From Oedipus to Antigone, the story of Thebes remains a fascinating exploration of fate, morality and chaos, two and a half thousand years after the saga was originally written. The first domino falls as Oedipus realises he has unwittingly fulfilled a cruel and unusual prophecy. As control of Thebes is handed to Creon, his sons fight each other for the kingdom and his daughter Antigone is determined to serve the honour of her family to the bitter end. This version weaves together Sophocles and Aeschylus to present the full, visceral and bloody account of the Oedipus dynasty.
Author: George Steiner
Publisher: Yale University Press
According to Greek legend, Antigone, the daughter of Oedipus, secretly buried her brother in defiance of the order of Creon, king of Thebes. Sentenced to death by Creon, she forestalled him by committing suicide. The theme of the conflict between Antigone and Creon - between the state and the individual, between man and woman, between young and old - has captured the Western imagination for more than 2000 years. George Steiner here examines the far-reaching legacy of this great classical myth. He considers its treatment in Western art, literature, and thought - in drama, poetry, prose, philosophic discourse, political tracts, opera, ballet, film, and even the plastic arts. A study in poetics and in the philosophy of reading, Antigones leads us to look again at the influence the Greek myths exercise on twentieth-century culture.
Author: Albert Ramsdell Gurney
Publisher: Dramatists Play Service, Inc.
THE STORY: After many years of teaching the classics at a New England university, Henry Harper is not surprised by much--and particularly not by precocious students who want to rewrite his beloved Greek masterpieces to reflect current sociopolitical
Publisher: Hal Leonard Corporation
(Applause Books). Sophocles, Holderlin, Brecht, Malina four major figures in the world's theatre have all left their imprint on this remarkable dramatic text. Friedrich Holderlin translated Sophocles into German, Brecht adapted Holderlin, and now Judith Malina has rendered Brecht's version into a stunning English incarnation. Available for the first time in English.
Author: Sophocles, Roy Williams
Publisher: Bloomsbury Publishing
Acclaimed contemporary playwright Roy Williams's contemporary re-working of Sophocles' classic tale of personal loyalty and truth.
Author: Sophocles, Peter Meineck, Paul Woodruff
Publisher: Hackett Publishing
This powerful new rendering of the plays of the Theban cycle includes, in addition to the translators' celebrated Oedipus Tyrannus, annotated new translations of Antigone and Oedipus at Colonus. Peter Meineck is Producing Artistic Director of The Aquila Theatre Co, Visiting Scholar at the Center for Ancient Studies, New York University and teacher of Greek Drama at the Tisch School for the Arts.
Decoding International Law
Author: Susan Tiefenbrun
Publisher: Oxford University Press
Violations of international law and human rights laws are the plague of the 20th and 21st centuries. People's inhumanity to people escalates as wars proliferate and respect for human rights and the laws of war diminish. Decoding International Law analyses international law as represented artfully in the humanities.
Author: Caridad Svich, Chiori Miyagawa, Sabrina Peck, Tanya Barfield, Karen Hartman
ANTIGONE PROJECT is a play in five parts by Tanya Barfield, Karen Hartman, Chiori Miyagawa, 2009 Pulitzer Prize winner Lynn Nottage, and Caridad Svich that reconsiders the story of Antigone from a variety of rich and radical perspectives. With a preface by dramatist Lisa Schlesinger and an introduction by classics scholar Marianne McDonald, this is a unique addition to contemporary drama.
Author: Slavoj ?i?ek
Publisher: Bloomsbury Publishing
Antigone is universally celebrated as the ultimate figure of ethical resistance to the state power which oversteps its legitimate scope and as the defender of simple human dignity (more important than all political struggles). But is she really so innocent and pure? What if there is a dark side to her? What if Creon, the representative of state power, also has a valuable point to make? And what if both Antigone and Creon are part of a problem that only a popular intervention can confront? ?i?ek's rewriting of this classic play confronts these issues in a practical way: not by theorizing about them, but by imagining an Antigone in which, at a crucial moment, the action takes a different turn, an Antigone along the lines of Run, Lola, Run or of Brecht's learning plays. A brilliantly funny, moving and political piece for those who are interested in reading and watching Antigone in an entirely new way.
Brecht Plays 8
Author: Bertolt Brecht
Publisher: A&C Black
The latest volume in Methuen's Collected Brecht includes two plays previously untranslated into English Volume 8 of Brecht's collected plays contains his last completed plays, from the eight years between his return from America to Europe after the war and his death in 1956. Brecht's ANTIGONE (1948) is a bold adaptation of Holderlin's classic German translation of Sophocles' play. A reflection on resistance and dictatorship in the aftermath of Nazism, it was a radical new experiment in epic theatre. THE DAYS OF THE COMMUNE (1949) is a semi-documentary account of the Paris Commune, and Brecht's most serious and ambitious historical play. TURANDOT is Brecht's version of the classic Chinese story is a satire on the intelligentsia of the Weimar Republic, Nazi bureaucracy, and other targets.
A car wreck on the slopes of Mt. Morgan puts poet and insurance tycoon Lyman Felt in the hospital. While Lyman recovers, two women meet in the hospital to discover that they are both married to him. With his secrets exposed, Lyman tries to justify himself to the two women--the prim, cultured Theo and the restless, ambitious Leah--at the same time hoping to convince himself that he is blameless. Moving between broad farce and delicate tragedy, The Ride Down Mt. Morgan reveals the struggle between honesty with others and honesty with oneself. This new edition incorporates the revisions Miller wrote for the acclaimed 1998 Public Theatre production starring Patrick Stewart.
Author: Frank Wedekind
Publisher: Sovereign via PublishDrive
Complete Lulu plays featuring her entire life from humble existence on the streets of Germany and being rescued by a rich newspaper publisher to her married life, success and spectacular downfall in London. The book includes both Earth Spirit (Erdgeist) and Pandora's Box (Buchse der Pandora) plays.
The Methuen Drama Book of Plays by Black British Writers provides an essential anthology of six of the key plays that have shaped the trajectory of British black theatre from the late-1970s to the present day. In doing so it charts the journey from specialist black theatre companies to the mainstream, including West End success, while providing a cultural and racial barometer for Britain during the last forty years. It opens with Mustapha Matura's 1979 play Welcome Home Jacko which in its depiction of a group of young unemployed West Indians was one of the first to explore issues of youth culture, identity and racial and cultural identification. Jackie Kay's Chiaroscuro examines debates about the politics of black, mixed race and lesbian identities in 1980s Britain, and from the 1990s Winsome Pinnock's Talking in Tongues engages with the politics of feminism to explore issues of black women's identity in Britian and Jamaica. From the first decade of the twenty-first century the three plays include Roy Williams' seminal pub-drama Sing Yer Hearts Out for the Lads, exploring racism and identity against the backdrop of the World Cup; Kwame Kwei-Armah's National Theatre play of 2004, Fix Up, about black cultural history and progress in modern Britain, and finally Bola Agbage's terrific 2007 debut, Gone Too Far!, which examines questions of identity and tensions between Africans and Caribbeans living in Britain. Edited by Lynnette Goddard, this important anthology provides an essential introduction to the last forty years of British black theatre.